Fatima Juned’s photo exhibition Taaro’n Ke Darmeyan is an ode to the disappearing art of Muqaish and its invisible women artisans.
Japanese animator Hayao Miyazaki recently won the Ramon Magsaysay Award—a fitting recognition for a master whose movies have enchanted and enthralled audiences across the world.
BY Apeksha Priyadarshini 25 September 2024
Kavitha Lankesh's documentary on Gauri Lankesh is both deeply personal and starkly political.
BY Apeksha Priyadarshini 7 September 2024
Bollywood has always been fascinated with India’s first woman Prime Minister, but pulling off nuanced portrayals of Indira Gandhi remains an elusive goal for Hindi films
BY Apeksha Priyadarshini 5 September 2024
Maharaja has been adulated as well as critiqued for being a rape-revenge thriller. But a closer look reveals much more.
BY Apeksha Priyadarshini 3 September 2024
Survivors of marital rape face twin hurdles: a lack of legal framework to deal with these cases and the social stigma that comes with reporting them
BY Apeksha Priyadarshini 3 September 2024
Bangladeshi cinema is witnessing a resurgence with a new wave of filmmakers focused on evolving unique storytelling techniques
BY Apeksha Priyadarshini 23 August 2024
Much has been said about the women in the emerging genre of feminist horror in Hindi cinema. But what about the men?
BY Apeksha Priyadarshini 20 August 2024
For political prisoners, freedom becomes a longing for small mercies that make us human
BY Apeksha Priyadarshini 15 August 2024
In light of Andrea Skinner’s abuse revelations, here’s a look at renowned cinema figures who faced similar accusations and continued to succeed in the film industry
BY Apeksha Priyadarshini 8 August 2024
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